The Jakarta Post
Please Update your browser
Your browser is out of date, and may not be compatible with our website. A list of the most popular web browsers can be found below.
Just click on the icons to get to the download page.
Popular Reads
Top Results
No results found. Please check your search term and try again
Can't find what you're looking for?
View all search results
Popular Reads
Top Results
No results found. Please check your search term and try again
Can't find what you're looking for?
View all search results
Unfolding Stories
Age and race no factor for Denzel Washington's Macbeth
Change text size
Gift Premium Articles
to Anyone
Share the best of The Jakarta Post with friends, family, or colleagues. As a subscriber, you can gift 3 to 5 articles each month that anyone can read—no subscription needed!
In this file photo taken on December 16, 2021 US actor Denzel Washington attends the Los Angeles Premiere of 'The Tragedy of Macbeth' at the Directors Guild of America Theatre in Los Angeles, California. (AFP/Lisa O'Connor)
In the four centuries since Shakespeare wrote the Scottish Play, there has never been a Macbeth quite like Denzel Washington.
A double-Oscar winner, he is regularly named the greatest actor of his era, and has already received every nomination going for new film The Tragedy of Macbeth, out Friday on Apple TV+.
He is also 67 -- and his Lady Macbeth played by 64-year-old Frances McDormand -- meaning their ruthless couple would be most unlikely to create an heir to their ill-gotten crown.
"They're tired, they're older," Washington told AFP, explaining that the passage of time gave their characters a different but equally malevolent motivation.
"They're like, 'Look, this is our shot. We're due. Give it to us.'
"Drastic times make for drastic measures. And the clock is ticking."
How would Washington, who clashes swords with foes in multiple strenuous encounters towards the film's finale, have played the role differently 20 or 30 years ago?
More from The Weekender
Tinggal Meninggal: How Kristo Imanuel dares moviegoers to laugh at death
Kristo Imanuel didn’t expect this film to be made. But now that it is, it might be doing exactly what he hoped: Helping people laugh at things they’re too afraid to talk about.
Breaking down 'Sore Idaman': Loss and love, on loop
A romance turned sci-fi turned tragedy, Yandy Laurens' Sore: Istri dari Masa Depan isn’t just a tearjerker: It’s a meditation on choosing love, every single time. Note: This review may contain spoilers.
Jakarta: A ‘city of cinema’ in the making
Jakarta has the potential to become a City of Cinema. But it needs more than a vision; it needs a system.
