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View all search resultsranian Oscar-winning director Asghar Farhadi is prepared to enjoy awards season this time around if his shortlisted film A Hero makes it to the final five when the Oscar nominations are announced next week.
In 2017, Farhadi won the Oscar for best foreign-language film for The Salesman -- but boycotted the ceremony because of then-United States President Donald Trump’s ban on travel to the United States from seven majority Muslim nations including Iran.
Promoting his new movie from a hotel room in West Hollywood, Farhadi says that, if he is nominated again, these Oscars will be a very different experience.
"It makes me very happy that as an Iranian I’m going through this path," he said.
"I know that for part of the Iranian youth, this can create hope [...] and this creates this satisfaction feeling inside me. It gives those young people some kind of hope so they can continue this path and bring some awards and prizes to Iran."
A Hero, a cowinner of the Grand Prix distinction at the Cannes Film Festival, follows Rahim, a prisoner who makes a plan with his fiancée to sell a bag of gold coins that she has found to pay off his debts so he can be released from jail.
He has a sudden change of heart and manages to track down the coins' owner. But being hailed as a hero raises unexpected complications for the young man that draw in those around him.
Kristo Imanuel didn’t expect this film to be made. But now that it is, it might be doing exactly what he hoped: Helping people laugh at things they’re too afraid to talk about.
A romance turned sci-fi turned tragedy, Yandy Laurens' Sore: Istri dari Masa Depan isn’t just a tearjerker: It’s a meditation on choosing love, every single time. Note: This review may contain spoilers.
Jakarta has the potential to become a City of Cinema. But it needs more than a vision; it needs a system.
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